Previous: Modernism Is A Working Attitude: Walter Darby Bannard at artcritical (1)

Next: Klimt at the Neue, and Fake News at the New York Times

On Art Basel Miami Beach at The New Criterion

Post #1784 • December 6, 2016, 11:27 AM • 1 Comment

[Image: Robert Natkin, Untitled (Hitchcock), 1989, acrylic on canvas, courtesy of Hirschl & Adler Modern]

Robert Natkin, Untitled (Hitchcock), 1989, acrylic on canvas, courtesy of Hirschl & Adler Modern

Art and the limits of politics at the 2016 iteration of the fair. My latest for The New Criterion.

Comment

1.

John Link

December 6, 2016, 12:24 PM

Thank you for the calm, reasonable statement. The value of massive art fairs is exactly as you describe: They are a good way to see a lot of what is going on without the expense or hassle of travel. Art Basel Miami constitutes a valuable resource for Miami, its vicinity, and beyond.

Subscribe

@franklin_e

franklin.e

Offers

Other Projects

Legal

Design and content ©2003-2017 Franklin Einspruch except where otherwise noted