Previous: The Credo of Cadmus

Next: Trash in Hyperspace: Markets, Institutions, and Artistic Freedom (7)

Organizing Sensation

Post #1888 • March 4, 2021, 6:15 PM • 1 Comment

[Image: Gwen Strahle, Shell and Vase, 2018, oil on canvas, 17 x 19 inches]

Gwen Strahle, Shell and Vase, 2018, oil on canvas, 17 x 19 inches

Zeuxis, the consortium of still life painters, has just now published my interview of members Paula Swaydan Grebel, Gwen Strahle, and John Goodrich. Enjoy.



John Link

March 4, 2021, 7:56 PM

In case someone did not take the click on to read your essay, here are two lines that should not be missed:

Every so often an excitable critic dubs someone the finest artist of his or her generation, in derisive imitation of the one critic who got away with that in 1945. It never sticks.

I feel the one "sort-of" exception is Clem's statement that David Smith was the best sculptor of his generation. But most such statements lead to exclusionary dead ends, or less politely, BS. BS just is not the real business of criticism though it is the most frequent.



Other Projects


Design and content ©2003-2022 Franklin Einspruch except where otherwise noted