guarda at tachmes, salter at ambrosino
Post #530 • May 4, 2005, 1:58 PM • 6 Comments
Two veiws of Rebecca Guarda's installation of little paintings at Leonard Tachmes (site seems to be down).
Michael Salter at Ambrosino. Most of these are constructed digitally and mounted on aluminum with a floor laminate varnish, or reverse mounted to plexi. Vector graphics are a precisionist's dream come true, and many of these were likable if a little slick. The slickness worked well for the portraits in locked glass cases, which made the subjects look psychologically fragile and seemed to emphasize their neurosis.